![]() ![]() Please contact us for subscription options. Traditional Turkish shadow theater is one of the oldest forms of Turkish art.Īnadolu Agency website contains only a portion of the news stories offered to subscribers in the AA News Broadcasting System (HAS), and in summarized form. Puppets of Karagoz and Hacivat are manipulated by one lead artist. The creator of shadow plays from the centuries-old stories Layla and Majnun and Farhad and Shirin, Ozlen was declared a Living Human Treasure in 2008 by Turkey’s Ministry of Culture and Tourism. Ozlen said he is also willing to share his experiences with young people. Karagoz and Hacivat is a national art that has great value in the Turkish nation,” he added. Ozlen said Karagoz and Hacivat is a play with traditional Turkish music. We should also distinguish the other professional artists.” We should stage Karagoz and Hacivat in public halls allocated by the municipality or the state, not in the streets or in coffeehouses. “If we're going to preserve Karagoz and Hacivat, we should preserve its origins. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. In Western Europe shadow puppetry enjoyed popularity during the 1800s when the art of cutting silhouettes out of paper was fashionable. Shadow play which is also known as shadow puppetry is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. “Some writers try to adapt the old plays to the new ones, but the result is no more than childish entertainment,” Ozlen said. Turkey and Greece also have a history of shadow puppetry, where plays are based on everyday life and contain much physical comedy. He said Karagoz and Hacivat is a play with many stages, adding those who want to revive it should write a new play from scratch. He later became interested in production techniques and created his first figures from cardboard.Ĭontinuing his profession as an amateur, Ozlen won first place in the First National Karagoz competition in 1976 and started his professional career the same year. Metin Ozlen, 80, told Anadolu Agency he learned the shadow play at the age of four from stories his grandfather told him. A Turkish master of the traditional shadow play Karagoz and Hacivat aims to preserve the art according to its origins.
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